SummaryThe prevalent view that a question expressed by the interrogative title must be absurd and in no need of a reasoned response is rejected. Popper's contention that commitment to rationality has only an irrational basis is criticised. A preliminary attempt is made to resolve some genuine perplexities about the justification of rationality by invoking the notion of a “quasi‐rationality” shared by human beings and other animals. Ah appendix on the metaphor of support is attached.RésuméĽauteur rejette ľopinion prédominate selon laquelle la (...) question contenue dans ce titre doit être absurde et ne mérite de ce fait aucune réponse raisonnée . Il critique ľaffimation de Popper que ľengagement en faveur de la rationalité ait une base uniquement irrationnelle. Il tente un premier essai pour résoudre quelques perplexités quant à la justification de la rationalité en introduisant la notion de quasi‐rationalité que partagent les êtres humains et autres animaux. Suit un appendice sur la métaphore anglaise support.ZusammenfassungDer Verfasser verwirft die überwiegende Auffassung, dass die im Titel aufgeworfene Frage absurd sein müsse und keiner rationalen Antwort zugänglich sei . Er kritisiert auch Poppers Behauptung, dass Rationalität nur irrational begründbar sei. Es wird versucht, einige echte Verlegenheitsmomente bei der Rechtfertigung von Rationalität zu überwinden, indem der von Menschen und Tieren geteilte Begriff einer Quasirationalität eingeführt wird. In einem Appendix wird die Metapher der Stützung erörtert. (shrink)

Dorian Gray pays a hefty price for years of sin and vice in this completely unabridged edition of The Picture of Dorian Gray.

The author of Look Back in Anger, Inadmissible Evidence, and The Entertainer has created a brilliant dramatization of this classic about a man who retains his youth while the decay of advancing years and moral corruption appears on a portrait painted by one of his lovers.

Author Max Black argues that language should conform to the discovered regularities of experience it is radically mistaken to assume that the conception of language is a mirror of reality.

Author Max Black argues that language should conform to the discovered regularities of experience it is radically mistaken to assume that the conception of language is a mirror of reality.

Introduction MAX BLACK Nothing of any value can be said on method except through examples; but now, at the end of our course, we may collect certain general ...

It is a paradox, whose importance familiarity fails to diminish, that the most highly developed and useful scientific theories are ostensibly expressed in terms of objects never encountered in experience. The line traced by a draughtsman, no matter how accurate, is seen beneath the microscope as a kind of corrugated trench, far removed from the ideal line of pure geometry. And the “point-planet” of astronomy, the “perfect gas” of thermodynamics, or the “pure species” of genetics are equally remote from exact (...) realization. Indeed the unintelligibility at the atomic or sub-atomic level of the notion of a rigidly demarcated boundary shows that such objects not merely are not but could not be encountered. While the mathematician constructs a theory in terms of “perfect” objects, the experimental scientist observes objects of which the properties demanded by theory are and can, in the very nature of measurement, be only approximately true. As Duhem remarks, mathematical deduction is not useful to the physicist if interpreted rigorously. It is necessary to know that its validity is unaltered when the premise and conclusion are only “approximately true.” But the indeterminacy thus introduced, it is necessary to add in criticism, will invalidate the deduction unless the permissible limits of variation are specified. To do so, however, replaces the original mathematical deduction by a more complicated mathematical theory in respect of whose interpretation the same problem arises, and whose exact nature is in any case unknown. (shrink)

To be able to produce and understand metaphorical statements is nothing much to boast about: these familiar skills, which children seem to acquire as they learn to talk, are perhaps no more remarkable than our ability to tell and to understand jokes. How odd then that it remains difficult to explain what we do in grasping metaphorical statements. In a provocative paper, "What Metaphors Mean,"1 Donald Davidson has recently charged many students of metaphor, ancient and modern, with having committed a (...) "central mistake." According to him, there is "error and confusion" in claiming "that a metaphor has, in addition to its literal sense or meaning, another sense or meaning." The guilty include "literary critics like Richards, Empson, and Winters; philosophers from Aristotle to Max Black; psychologists from Freud and earlier to Skinner and later; and linguists from Plato to Uriel Weinreich and George Lakoff." Good company, if somewhat mixed. The error to be extirpated is the "idea that a metaphor has a special meaning" . If Davidson is right, much that has been written about metaphor might well be consigned to the flames. Even if he proves to be wrong, his animadversions should provoke further consideration of the still problematic modus operandi of metaphor. · 1. In "What Metaphors Mean," Critical Inquiry 5 : 31-47. All further references in text. Max Black is Susan Linn Sage professor of philosophy and humane letters emeritus at Cornell University and senior member of the Cornell program on science, technology, and society. His many influential works include Models and Metaphors, A Companion to Wittgenstein's Tractatus, and, most recently, Caveats and Critiques. During the fall of 1978 he was Tarner Lecturer at Cambridge University and is currently preparing a book on rationality based on those lectures. (shrink)

Parts of the book date back to and some of the concluding remarks on ethics and the will may have been composed still earlier, when Wittgenstein admired ...

The late John Austin's William James Lectures 1 might well have borne the subtitle ‘In Pursuit of a Vanishing Distinction’. Although the chase is remorseless, glimpses of the quarry become increasingly equivocal and the hunter is left empty-handed at last. It is hard to know what has gone awry. Has the wrong game been pursued—and in the wrong direction?

These essays are intended to illustrate various ways in which ideas about language may be used to clarify philosophic problems. They contain careful interpretations and criticisms of theories of language.

To be able to produce and understand metaphorical statements is nothing much to boast about: these familiar skills, which children seem to acquire as they learn to talk, are perhaps no more remarkable than our ability to tell and to understand jokes. How odd then that it remains difficult to explain what we do in grasping metaphorical statements. In a provocative paper, "What Metaphors Mean,"1 Donald Davidson has recently charged many students of metaphor, ancient and modern, with having committed a (...) "central mistake." According to him, there is "error and confusion" in claiming "that a metaphor has, in addition to its literal sense or meaning, another sense or meaning." The guilty include "literary critics like Richards, Empson, and Winters; philosophers from Aristotle to Max Black; psychologists from Freud and earlier to Skinner and later; and linguists from Plato to Uriel Weinreich and George Lakoff." Good company, if somewhat mixed. The error to be extirpated is the "idea that a metaphor has a special meaning". If Davidson is right, much that has been written about metaphor might well be consigned to the flames. Even if he proves to be wrong, his animadversions should provoke further consideration of the still problematic modus operandi of metaphor. · 1. In "What Metaphors Mean," Critical Inquiry 5 : 31-47. All further references in text. Max Black is Susan Linn Sage professor of philosophy and humane letters emeritus at Cornell University and senior member of the Cornell program on science, technology, and society. His many influential works include Models and Metaphors, A Companion to Wittgenstein's Tractatus, and, most recently, Caveats and Critiques. During the fall of 1978 he was Tarner Lecturer at Cambridge University and is currently preparing a book on rationality based on those lectures. (shrink)

An elaboration and defense of the “interaction view of metaphor” introduced in the author's earlier study, “Metaphor” . Special attention is paid to the explication of the metaphors used in the earlier account.The topics discussed include: selection of the “targets” of the theory; classification of metaphors; how metaphorical statements work; relations between metaphors and similes; metaphorical thought; criteria of recognition; the “creative” aspects of metaphors; the ontological status of metaphors.Metaphors are found to be more closely connected with background models than (...) has previously been recognized. (shrink)

A Man whose height is four feet is short; adding one tenthof an inch to a short man's height leaves him short; therefore, a man whose height is four feet and one tenth of an inch is short. Now begin again and argue in the same pattern. A man whose height is four feet and one tenth of an inch is short; adding one tenth of an inch to a short man's height leaves him short; therefore, a man whose height (...) is four feet and two tenths of an inch is short. In this way, it seems, we can reach the absurd result that a man whose height is four feet plus any number of tenths of an inch is short. For, if the first argument is sound, so is the second; and if the second, so is the third; and so on. There appears to be no good reason for stopping at any one point rather than at another; it is hard to see why the chain of arguments should ever be broken. But the conclusion is ridiculous; it is, for example, preposterous to say that a man whose height is seven feet is, nevertheless, short. (shrink)

As a leading member of the Vienna Circle, Rudolph Carnap's aim was to bring about a "unified science" by applying a method of logical analysis to the empirical data of all the sciences. This work, first published in English in 1934, endeavors to work out a way in which the observation statements required for verification are not private to the observer. The work shows the strong influence of Wittgenstein, Russell, and Frege.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.